In Zachary Epcar’s fragmentary, soap opera-esque film, lounge music, lamps, coffee pods, and other accoutrements of modern life restage a story of domestic dreams and nightmares.

In this serene study of lost love and natural light, parked cars in public spaces become sanctuaries for emotional renewal. Paired with reflective voiceover and strangely comforting self-help recordings, Zachary…